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Posts Tagged ‘Big Fish Audio’

Sequence: Hip Hop Beat Creator

September 14, 2017 Leave a comment

Product Highlight:

Sequence: Hip Hop Beat Creator

SEQ01_1

Kontakt Player 5
Kontakt 5
Plug-in
$ 99.95

 

Big Fish Audio presents: Sequence Beat Production Plug-in

The Soft ware Soft sampler Soft sequencer is Hard to beat at this price.

Big Fish Audio, the top dogs in sample libraries have been known to drop soft-sampler instrument products from time to time. Their newest heavyweight is an NI Kontakt player-powered sequencer called….Sequencer.

“Sequence is another ‘secret weapon’ that adds a sonic palette to your arsenal and brings any producer’s sound into a contemporary context.”

 

Getting up to speed consists of two download packages. The Installer (~1.1 GB zip) and the Library (~766 MB zip). We updated to the most recent version of Kontakt.

and then registered the library. New to me was Native Access, the preferred method of managing your Native Instrument products. I was very comfortable with their Service Center and interestingly enough, you’ll still need to keep the S.C. handy for legacy products.

https://www.native-instruments.com/en/specials/native-access/

Native Access

Since the time of the super-producer passed, more has been required of the beatsmith. No longer is the signature sound of a producer the ultimate determining factor of a rapper’s trajectory. Versatility is now key as the digital musician needs more sounds and styles at his fingertips. You are tasked with creating, cloning, crafting and commanding a kaleidoscope of compositions. Let’s face it. Sequence is another ‘secret weapon’ that adds a sonic palette to your arsenal and brings any producer’s sound into a contemporary context. In an average set of hands, you will have all the tools available to nail the most popular styles in today’s commercial spectrum. In the hands of a creative talent, Big Fish Audio’s Sequence is poised to usher in a new tool to facilitate the translation of your imagination into a…

Enough with the flowery talk.

Big-Fish-Audio-Sequence-mixer

The pros are the interface and stability  provided by the Native instruments Kontakt host and the sound design and sculpting potential of Sequence’s sonic engine. The con is the closed system that makes sample/sound import impossible. The promise is more and extended life from future expansion libraries. The plus is the price ($99.00 USD) and ease of use. The negative is ‘if you can’t beat them, join them’. The sonic imprint has taken a few turns in recent years and any producer who hopes to remain relevant needs tools like these. You can’t always remix your ear, but you can add new tools to your studio for additional sonic variety. This is one of those purchases. Enjoy.

Wished for in updates…

1) Session files and modern song starters

2) live recording and

http://www.bigfishaudio.com/Sequence.html

-Griffin Avid

Deconstructing the Construction Kit – Samples for music or sample-based music?

February 1, 2013 Leave a comment

Look and Listen! More lunacy with Loops

BFA Hands on Fantom

We have two articles on this subject already, but new questions about using royalty-free samples in the production system have come about. And so, how many samples may you sample before your song is no longer a song, but instead a series of samples? And more importantly, why does any of this matter?

Well this whole idea is personal and totally subjective. There is a reason each individual makes their own bar for considering when their art is their own.
I don’t walk down the purist path because there is always someone more PURE than you. And if you believe more pure is better than objectively, factually someone will ALWAYS be better than you. Even if their output is horrible by your own standards. It’s putting the Process before the Product.

For drums….we can create a line of thought that gets ridiculous but makes logical sense.
Guy A uses a step sequencer loaded with samples to make his drum pattern.
Guy B says A is not as good because he uses drum pads and really finger drums.
Guy C says B is not as good because his electronic drum set is more real playing than cheating with pads.
Guy D says C is not as good because he plays a real acoustic drum set.
Guy E says D is not as good because he samples real world noises and natural sounds and is more original than using something as limited and boring as a drum set.

Guy A loads D’s samples and creates a drum pattern…and somehow he’s the fake-est for doing so.

BFA Drive

Think of all the reasons for NOT using construction kits/samples/presets/templates etc……

1. Someday someone might use the same sound.
2. Someday someone might recreate my song on youtube and make it look easy.
3. Someday someone might sampleID one of my tracks
4. Someday someone might have a beat/track/song that sounds like mine.

And now deal with the reality that ALL of these are based on FEAR.
Afraid of how someone who is meaningless to you will think about you and your art.
This is a self-esteem issue when you only have imaginary confidence -based on what you think *might* happen in the future over your music.
As opposed to dealing with the reality of whether or not it’s WORKING FOR YOU.

Make music for money, hope it makes you rich.
Make music for fun, hope you’re having fun doing so.
Make music for no other reason than you are driven to do so, then I hope enough of the two previous reasons happen to sustain your desires.

BFA hands on controller

This (PURITY) is IMPORTANT as an INDIVIDUAL CHOICE is- it may well decide how far and how seriously you take your music.
If you INVEST yourself heavily (Money, Emotion, Time, and Effort) in your music, you are more likely to take your ambition to an end result.
Not saying the end will make you rich, famous, popular but it’s harder to walk away from something you care about.
And if your music is YOU, then you will care enough to do something with it.

Anyone can noodle, move some sounds around…press some buttons, slap some keys…
Mixdown, limiter, upload and post on a profile/forum.

Anyone can tear down that process. Criticize, belittle, analyze it…
What they can’t discredit is the effect and impact your music has on others.
That’s the part that isn’t subjective and determined by a peers opinion.

If you can accept that idea then you will realize the importance of picking a creative workflow and ethic that TOUCHES YOU FIRST so that you are inspired, no – DRIVEN to give your music a chance to touch others.

Griffin Avid is a Media Editor for Producer’s Edge Digital Magazine.

Production related videos http://www.Youtube.com/GriffinAvid

Previous articles dealing with using loops and samples in your music.

https://producersedge.wordpress.com/2010/02/27/using-construction-kits-in-your-production-loops-of-music-phrases-etc/

https://producersedge.wordpress.com/2010/02/27/drum-works-ii-the-ideology-of-loops/

Big Fish Audio FREE kit of the week and 40% off – massive savings and Xmas early

December 10, 2012 Leave a comment

Big Fish Audio 25 Days of Christmas Sale!

25 days of Christmas sale

Save early! Big Fish Audio

Announcing the Big Fish Audio 25 Days of Christmas Sale! Starting December 1st on each day before Christmas, Big Fish Audio will have four products priced to spread holiday cheer! Save 40% off four new products every day!

The 25 Days of Christmas Sale includes products from our entire catalog. Look for savings on premium virtual instruments and the freshest loop products on our site. No coupon needed. Each set of four products will be on sale for only 24 hours and then we’ll roll out a new set of specials. So check back often and Happy Holidays!

Click here: http://www.bigfishaudio.com/25daysofchristmassale.html

=====================================================================================

Ambient Skyline

Ambient Skyline

View Product at BigFishAudio.com

Get this week’s free samplepack featuring one free kit of loops from Ambient Skyline. This pack only contains a partial set of loops from the included kit. The full library contains various other loops and samples from the kit. This set contains WAV, REX, and Apple Loop versions of each loop or sample.

Ambient Skyline is an inspiring and unique collection of ambient and cinematic chill out loops, rhythm beds, music beds, and a lot more. Recorded and performed by seasoned professionals on top of the line gear, these sounds will bring a new kind of magic to your music. With 5GB of original content (duplicated into acidized WAV, REX, Apple Loop, and RMX formats), and 2,266 loops and samples from ambient guitars to a collection of effected rhodes loops, these sounds can add an esoteric new dimension to many different musical settings.

Click here to get the FREE KIT: http://www.facebook.com/pages/Big-Fish-Audio/163752639634?sk=app_190322544333196

Their Facebook page and other kits of the week.

http://www.facebook.com/pages/Big-Fish-Audio/163752639634

*Don’t forget, if you LIKE their page you get a discount on the BFA site.

Big Fish Audio’s 25 Days of Christmas Sale!

December 1, 2012 Leave a comment
big fish audio logo Christmas sale

big fish audio logo Christmas sale

Announcing the Big Fish Audio 25 Days of Christmas Sale! Starting December 1st on each day before Christmas, Big Fish Audio will have four products priced to spread holiday cheer! Save 40% off four new products every day!

The 25 Days of Christmas Sale includes products from our entire catalog. Look for savings on premium virtual instruments and the freshest loop products on our site. No coupon needed. Each set of four products will be on sale for only 24 hours and then we’ll roll out a new set of specials. So check back often and Happy Holidays!

 

CLICK HERE TO HEAD OVER AND CHECK OUT THE HOLIDAY SPECIALS!

Halloween 2012 FREE TREATS and LESS Tricks!

October 29, 2012 Leave a comment

There is one day a year where it is acceptable to knock on a stranger’s door and ask for a treat. A lot of us, in and around the music industry, tend to feel and act like every day is Halloween. We wear the costume of someone serious and expect doors to be opened and our grandest aspirations advanced just because we knocked really loud.

I’ve come across many producers and beat-smiths who feel their work is done because a particular A&R has their music. They say things like they are in or it’s a done deal. I ask why? They reply something along the lines of my beats is dope. I say: yes, but why are you getting the exclusive shot? Is it possible he’s heard a lot of dope beats? Is it possible, you are not the only choice for submissions? How good an A&R can he be if YOU are the ONLY music he has to shop?

We say to artists all the time – it takes more than talent, or better yet, it takes EVERYTHING but talent. Don’t expect your ‘relationships’ to give up their contacts or pass you along or give you your big break until you’ve earned their trust or understand that they won’t help you until it helps them more.

Two sides of the Bag

What works? As a person who’s done his fair share of trick or treating I have to say some approaches work better than others. The houses that had no candy or crappy stuff got egged. The people with the quality treats got revisited -sometimes with us wearing new costumes. As a creative, that’s your goal- to keep showing up with new and engaging looks and showing your ability to arrive prepared.

If your goal is to be solicited as a business, then it makes sense to have your house in order and be able to deliver on the promises you make. Smoke and mirrors has always been a part of the game, but we are looking to create a career, not a hustle. In reverse, as a content provider, it is in your best interest to position yourself to receive long work, not luck up on a big break. Put in work if you want those doors to open.  Have a happy and safe Halloween. This blog post is sponsored by Big Fish Audio. I’ve been using their libraries for a while now and thought I’d share a one in particular that got our attention in the office.

–Drew Spence Editor In Chief Producer’s Edge Digital Magazine

http://www.ProducersEdgeMagazine.com

Platinum Synth Melodies $49.99

Platinum Synth Melodies from Big Fish Audio

Platinum Synth Melodies from Big Fish Audio

Need blazin’ synth loops that will set your productions apart from the pack? Platinum Synth Melodies is loaded with 30 multi track synth loop sets ready to help create your next urban synth laced track. From big screaming lead lines to club ready arpeggios to thick warm pads this product delivers. Whether you need hip hop, urban pop, or dance this product has you covered. Mix and match the loops to create thousands of music ideas. Platinum Synth Melodies is another Beat Warrior product from Nova Loops. The production team’s credits include Tu Pac, Flo Rida, Wu Tang, Jodeci, Mariah Carey, Chris Brown, NFL, BET, HBO, and are responsible for over 20 million records sold worldwide! All parts in this product are separated, edited and come formatted in WAV(Acidized) and Apple Loops format. When you need synth ideas for hip hop, urban pop or dance, look no further than Platinum Synth Melodies.

Download the FREE SAMPLER HERE

http://www.ProducersEdgeMagazine.com/forumdownloads/halloween2012.zip


Also, the newest Mark of the Griffin is here. It’s a Halloween themed episode called NIGHT ZONE. If you don’t know, Drew Spence from PE Mag has been working on an adventure web series about a regular guy who is turned into a vigilante/detective. Check it out.

-Xodus Phoenix

BIg Fish Audio Free Kit of the Week -High quality ethnic cinematic percussion

September 10, 2012 Leave a comment

Score of India Big Fish Audio

Get this week’s free samplepack featuring one free kit of loops from Score of India: Percussion Loops. This pack only contains a partial set of loops from the included kit. The full library contains various other loops and samples from the kit. This set contains WAV, REX, and Apple Loop versions of each loop or sample.

High quality ethnic cinematic percussion is hard to come by. Today, you’re in luck. We’ve manage to take cinematic percussion and infuse it with the culture and sounds of India. In this 3.6 GB (1.27 GB of original 24-bit acidized WAV content) loop library you’ll find the perfect Indian rhythm beds to add to your musical score. Whether you are scoring an action packed drama, a soaring landscape, or a high speed chase scene, you’ll find a perfect fit with these loops.

http://demo.bigfishaudio.net/downloads/freekit_scoreofindia.zip

Full Package Link : http://www.bigfishaudio.com/detail.html?512424

Producer’s Edge Issue 10 Mr Porter

Producer's Edge Issue 10 Mr Porter

Mr Porter is transported. Issue 10

It’s Mr Porter, the producer behind Eminem, D12, Xzibit, Busta Rhymes, Game, Lil’ Kim, Obie Trice, G-Unit and so many more. Before he helped 50 Cent P.I.M.P, he was P.U.M.P.ING up a huge cast of rappers with monster tracks. He’ll take us back to his first placement and help you get to first place. We also have sick feature on Kerry ‘Krucial’ Brothers.

 Also, find out why your next studio secret-weapon might be downloaded from iTunes. This issue is jam-packed with sounds and samples from Big Fish Audio, Bluezone Corporation and Prime Loops

Read the Magazine for FREE here…

Producer’s Edge Magazine Issue 09 Special Holidaze FALL 2011

December 9, 2011 Leave a comment
Producer's Edge Issue 09 Cover Happy Holidaze

Are you Naughty or Nice with it?

Producer’s Edge Digital Magazine Issue 09 has dropped. This is a special Holidaze themed issue. It’s all about the giving and the getting- – ready to have a productive 2012 and beyond. We’ll rewind with tips for making better beats and finding your signature sound. By the end we’ll know if you’ve been Naughty or Nice.

Xtra Content Subscribers do not need to download any of the FREE content inside this issue. You will be getting every item included in your normal Issue Download Package. Check your email. This issue’s Download is 1 Gig in size and can be purchased separately.

This issue’s package contains samples from:

Big Fish Audio Southern Grilin

Big Fish Audio Grind Mode R&B

Big Fish Audio The Crate Ultimate Urban Samples

Big Fish Audio Beatage

Visit Big Fish Audio

Enjoy the Holidaze Season and be safe, full of sound and productive.

-Drew Spence, Editor in Chief Producer’s Edge Magazine.

Issuu Producer’s Edge issue 09 Holidaze Special

http://issuu.com/producersedge/docs/issue_09_producers_edge_fall_2011

Subscribe to the Producer’s Edge Downloads

READ PREVIOUS ISSUE or BUY their Downloads

Visit our Homepage

Happy Thanksgiving 2011 from Producer’s Edge Magazine (+ Free Sounds from Big Fish Audio)

November 24, 2011 2 comments

Happy Thanksgiving 2011 from Producer’s Edge Magazine

D.A. Da Future and Shea practice for a show

Clap yo hands, stomp your feet

Live and Direct

 

Sometimes I feel like a pastor trying to come up with a sermon when I try to connect my recent experiences or encounters into a meaningful theme. But it hit me this morning when I got up. See, I spent last night watching a live band rehearse a few numbers. They are preparing for a battle of the bands coming up on December 3rd. I was invited by Shea the Doll, who worked with me on the Domino Grey albums and D.A. the Future;  a skillful rapper making a big impact in my city. They needed a guitarist with both Soul and Rock so I called Jennifer Campbell from Issue 08 DJ Premier, Summer of Synths [http://issuu.com/producersedge/docs/pe_issue08_dj_premier] and in a few minutes a brand new member, with his electric guitar, walked into the session. Thanks Jen!

At first, the vibe was very studio-like and controlled- like practice-through repetition. Their band leader Curt, wanted more emotion and jamming and for everyone to loosen up. It wasn’t happening until the band started talking in-between run-throughs. Once they connected on a personal level, they were able to connect as a band.

D.A. the future and the band jam out

D.A. the future and the band jam out

Shea teh Doll and D.A. the Future work out ideas

Not every idea sounds good to the band.

Okay, here am me thoughts:

At times, our one-man-army production flow can become a dry and static experience. You rotate from instrument sound to instrument sound, never taking on the persona of someone who would be PLAYING THAT INSTRUMENT. Yeah, that’s a cool bassline, but no bass player would play the same pattern for the entire track. Same for all the other elements in your track, except maybe the person with the cowbell, who’s dating the main cat or his manager or the non-musician buddy. Where was I?

As (beat creating) producers taking on the huge task of creating all the music ourselves, we need to consider the Dynamics of Interplay the next time we construct a track. You might be saying: “Well shoot Drew Spence aint you about to give us a bunch of loops from Big Fish Audio- what a contradiction?!”

No, not really, there are numerous means of manipulating your samples into motion and adding life to your tracks.

1. Chop those loops. Avoid just using the 4 parts of intro, verse, bridge and hook and create subtle variations. Yes you can do more than double the snare.

2. Use effects (a slight EQ increase or decrease) to accent the drums for the hook or a huge change in Q at transition points.

3. Learn to modulate your bassline, over time, to create a light sweep over several measures.

4. When laying down drums from a sampled break beat, use additional versions of the different hits and avoid using only 1 snare, 1 kick and 1 hat element from an otherwise varying drum loop sample.

5. When creating drums from multi-sample pack, lay down the same pattern with different velocities so you have the same drums recorded at different intensity levels.

6. If you are creating from a limited palette, you can actually swap out drum elements. More than just swapping out the snare for a stick, you can trade between similar snares. I know you had a second choice for snare in that folder.

7. Instead of pattern recording, you know, tick tick tick of the metronome for 4 or 8 bars- try letting the track play and jamming over it for …well, until the track runs out. Use different areas to create longer loops instead of a short, repetitious perfect take.

8. Turn off that quantize. nuff said.

9. When creating different loops or manipulating loops, choose new defining names- instead of intro, bridge and hook, think about “verse with more energy”, “hook and louder hook” You get the idea.

10. And finally; try adding a traditional musician into your mix. A live player will give you energy to feed off of and if you roll with a drummer, you can experience tempo changes as a way to control the feel of a track.

Usually at the end of a sermon they pass the plate, instead, I’m hitting you with some free sounds from our good friends over at Big Fish Audio. Don’t forget to take advantage of their Thanksgiving sale and also support the companies that support us. Have a good Turkey day. Keep producing, keep creating.

-Drew Spence Producer’s Edge Magazine

Happy Holidays from the staff at PE Mag 2011

Big Fish Audio presents The Crate Ultimate Urban Samples $99.95

http://www.bigfishaudio.com/detail.html?512593#

Come discover a goldmine of pure and raw Hip Hop and R&B samples. You won’t find any construction kits here, but only the finest urban loops and hits around for your sampling pleasure. At nearly seven gigabytes of content, you’re sure to find new and inspiring material every time you start digging through this massive library. You’ll find everything here from over 2,000 amazing drum hits to guitar loops, orchestral hits, sound effects, and a whole lot more. In total there are over 6,000 individual loops and hits in this collection. Choose between the 24-bit WAV version or the 16-bit WAV version to suit your need. So come get yo samplin’ on with Big Fish Audio’s “The Crate: Ultimate Urban Samples”.

Subscriber’s Link to FREE SAMPLES

http://www.ProducersEdgeMagazine.com/GriffinAvid/2011Thanksgiving.zip

Happy Thanksgiving from Big Fish Audio

25% OFF all orders of $199 or more

 http://www.producersedgemagazine.com/ 

Read about a Battle of the Bands in New York on Dec 3rd